SIFF’s Secret Festival Sunday Mornings

The Secret Festival began yesterday. All pass holders are sworn to secrecy about the films shown, and they buy a pass with no idea in the world of what will be shown every Sunday morning for four weeks. Possibilities include films with copyright issues, or Premiere Promises elsewhere, classics that call for a big screen and an engaged audience, or films for the hell of it.

It is also fair to say that each year, one of the four loses a certain audience share who end up at the eatery across the street in search of an early lunch, and hissing questions at other pass wearers nearby.

The thing is, people start lining up more than an hour before the theater opens, the line goes round the corner and all the way down the block. As you walk up you see the same faces four times, You sit near the same people, begin to talk with strangers. But if you’re really good standing in line. the cookie man may come. And then you know the Secret Festival is back.

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SIFF and the Septic Tank

The first of the films I saw at the Seattle International Film Festival was The Woman in the Septic Tank, the Philippines representative at this year’s Oscars. It’s a mockumentary, a send up of 2 young film makers trying to create the perfect film to be accepted by festivals around the world. 3 sequences stand for the whole movie they’re making. Each time they imagine a new style, or a new twist, we see the scenes played through that new lens. Eugene Domingo is a famous actress and comedienne in the Philippines. She plays herself, and she gives her all to the film. Kean Cipriano and JM de Guzman are the young film makers, Rainier and Bingbong. The whole thing felt too in-joky to me, like something you and the guys at the lab would throw together for a roast of a director. Not one I would recommend, unless you’re part of that festival in-crowd. The septic tank was telegraphed, like a gun onstage. The only bit of suspense was when you’d hear the splash. Movie Trailer

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Silly Movie Summaries

My favorite entry in Paul de Barros’ silly movie summaries (Seattle Times March 25 2012) was the very last:

Summary: A blank email, except for a subject line that said “The Artist” (a silent film). Film: “The Artist” — Helen Rodgers

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